Fades and Close-Ups
…was shot in black and white Super 8mm and is accompanied by a soundtrack of drumming and deep breathing. The camera fades in and out on a symmetrical series of lovely, grainy close-ups of the naked, apparently sleeping forms of a male and a female (Huot himself and Carol Kinne). The film is closely related to, and would be especially interesting screened with Willard Maas’ Geography of the Body, Tara Iimura’s Love, and ...